7 Flavors of Folk

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by Carly Schorman
Senior Editor

Old Nobodaddy

“Bury the Hatchet”

I like my folk music tall, brooding, and murderous which, thankfully, is waaay different from how I like my men. Well, all except the tall part, I guess.  Old Nobodaddy sounds like his roots run deep, down into the sludgy wetland woods of Louisiana, but it’s New Orleans he currently calls home. “Bury the Hatchet” offers listeners back-porch gospel subtly refined so as not to lose that salt-of-the-earth feel. This is gospel for the for the soulless and god-fearing alike. Give “Bury the Hatchet” from Old Nobodaddy a spin below…

Ola Sweet

“Strange Lately”

All you music fans who prefer your Americana mellow and bluesy, make sure you check out Ola Sweet. This Boise quartet has a retro rock vibe that calls to mind 70s dad-‘staches and snap-down shirts. And, I mean that in the best way possible. Ola Sweet isn’t just another Band of Horses/Black Keys revivalist act. There’s something earthy and authentic that comes through in their sound on “Strange Lately” that has me hooked. Take the single for a spin below…

Jessica Frech

“Already Won”

Jessica Frech comes to us from the indie-folk side of the spectrum with her new single “Already Won”. The song possesses an effervescence in its sound that will lift your spirits as the lyrics empower you to face the challenges of your everyday. Frech has a lissome voice that lends itself well to the uplifting charge of “Already Won”. This artist has already developed a bit of a following for her quirky folk-pop but you’ll hear a more serious, but never sullen, sound on this new single. Give “Already Won” a listen below…

John Timothy

“The Longest Line (Daniel)”

The SoCal songwriter has a straight-from-the-heartland sound that could easily be at home in Nashville or Amarillo, but it’s Los Angeles where John Timothy resides. Timothy’s alt-country style has a rusted edge that adds to the authenticity of his sound. This song “was recorded in conjunction with ‘Words Uncaged’, a graduate class that worked with inmates on Life Without Parole at Lancaster State Penitentiary,” so maybe that authenticity is also derived from the narrative recounted in the lyrics. Whatever the case may be, “The Longest Line (Daniel)” by John Timothy is a powerful number that will continue to resonate long after you listen.

Johnny Stimson

“I’ll Be Fine”

Songwriter and self-proclaimed time traveler, Johnny Stimson, will take you from anguish to acceptance on his new single, “I’ll Be Fine”. Stimson’s emotive voice drives this pop-infused indie-folk single with its heart-wrenching realness. The track is stripped down to just the vocalist and his guitar, but it suits the self-revealing lyricism quite nicely. Check out “I’ll Be Fine” by Johnny Stimson below, and if you like what you’re hearing, delve further into the online musical offerings of this Dallas artist here.

The Solars

“Potter’s Field/Dockery”

For those of you who feel you might have been born in the wrong era and would have been better suited to prancing through fields with the Flower Children of the 1960s, we have the band for you. The Solars from Boston (MA) craft a folk rock sound chalk full of nostalgic for the days of Jefferson Airplane and Jethro Tull (organs included). Their meandering single “Potter’s Field/Dockery” is a dynamic journey of sound and sight; of rich harmonies and oscillating energy. Hit play below to take the trip that is “Potter’s Field/Dockery” with The Solars.

The Four Corners Quartet

“I’ve Just Seen the Rock of Ages”

For those of us in Arizona (where we’re based), the “Four Corners” refers to the northeast region of our state and its surrounding areas that all meet in an intersecting, four-corner border. In the case of The Four Corners of Quartet, however, the moniker refers instead to the Four Corners of the Globe from whence the participating musicians originated: Jordan, the United States, Palestine, and the United Kingdom. The quartet is not just a meeting point for people of different cultural backgrounds, but a merging place for various musical traditions, including middle-eastern, jazz, western classical, and American-folk. Sink into the orchestral folk of The Four Corners Quartet and their song, “I’ve Just Seen the Rock of Ages”.

6 Rad Radio-Ready Singles

by Carly Schorman
Senior Editor

Pink Slip

“Said it All”

Kyle Buckley, also known as Pink Slip, made the jump from Atlanta to Nashville, but his sound still holds some of that ATL slink in its slick production. “Said it All” comes to us from Pink Slip’s debut EP – Pink Hotel – which dropped last month. Pink Slip sets the soulful vocal stylings of featured artist Estef against some contemporary R&B bounce on “Said it All”. Make sure you give “Said it All” by Pink Slip a listen below and then delve into Pink Hotel (available here).

Addie Hamilton

“La La La”

Those kids who always seemed to possess a clear understanding of their calling early on (and had the talent to boot) always irritated me a little. They should have to fumble around with self-identity like all the rest of us, goddammit. Addie Hamilton is one of those. A teenage love affair with her grandmother’s record collection turned into a life’s work early on for Hamilton and now, at 21 years old, she already kicking out radio-ready gold with her new single, “La La La”. There’s a kittenish tinge to Addie Hamilton’s voice will put you in the mood for a Gatsby-style bash, champagne and flappers included, of course. Those jazzy vocals harken back to that record collection of Hamilton’s youth which included classics from Peggy Lee, Benny Goodman, and Eartha Kitt. Give “La La La” by Addie Hamilton a listen below…

Naah

“Worth It”

This chill chip-pop track from the Swedish artist known as Naah can turn your morning commute into the right kind of attitude adjustment if you need a little more shoulder shimmy in your day. Naah will help with that. “Worth It” creates a fun but zen atmosphere that will leave you feeling mellow. This is just the first single from the two track release, of the same title, so consider delving further into the offerings of Naah (available here). But, first, check out “Worth It” below…

 Flannel Albert

“aok”

This catchy new single from Flannel Albert (aka Albert Joo) could see some series spins at those backyard barbecues this coming summer. Flannel Albert , originally from Portland, jumped coasts and took his melodic rhyme style to Brooklyn, but I can still detect a bit of that West Coast easygoing attitude on “aok”. The track has an old school, kickback atmosphere and that video-game-reminiscent sound that starts off the single only adds to that nostalgia. Flannel Albert dropped this track while gearing up for tour. “aok” marks the first single from his forthcoming tape so keep watch for that release this Spring. In the meantime, check out “aok” below…

Lex One

“Let’s Get Lost”

Lex One might have earned his chops in the Miami underground hiphop scene, but it looks like he’s ready break mainstream. And this new single, “Let’s Get Lost”, will only help the cause. Lex One delivers a steady stream of lyrical musings on love and lust on “Let’s Get Lost” while Hellz Poet provides the super catchy hook.  Get lost with Lex One below…

Tim Hox

“One Big Race”

With a little help from 17-year-old vocalist Julia Rose, producer Tim Hox shaped out this club-ready moombahton number. Hox lays down a beat to get you moving while Rose has an alternatively smokey and lithe voice that will have you reaching for repeat. If Reggaeton is up your alley, “One Big Race” might be your new jam. You just might have so much fun on that first listen that you don’t notice the goal-oriented message that lies in the lyrics, but we all might benefit from paying attention. Give “One Big Race” a listen below…

7 Indie Pop Videos for the Afternoon Re-Charge

B O K E H
“Don’t Leave the Fire”

Pale Rivers
“August 6th”

Flagship
“Midnight”

John Adams
“See You Again”

Freddy Hale
“Troublemaker”

Anna Wise
“Balance in All”

Galen Crew
“Fragrance”

Milo Surf: Before the Gnar

milo surf 01by Joe Golfen
Staff Writer

The only bio description on Milo Surf’s Bandcamp is a simple phrase: “I can’t surf.”

That funny bit of winking self-deprecation is actually the perfect introduction to Milo Surf, a project by Gilbert songwriter Joshua Capati [of Phantom Party fame]. The music is all surfy echo pedals and snoddy vocals, with plenty of revealing personal details and a wry sense of humor.

“Cherry Bomb” starts the record with a 55 second blast of surf punk perfection, giving way to “Stellarphonic Melancholy,” the standout track from the EP. A full-throated croon that sounds a bit like Nightmare of You, finds Joshua Capati singing, “I glamorize/The science of suicide/’Cause it crossed my mind/I got some new wounds for the Sun rays to cauterize.” It comes off a lot more melodramatic than it looks when written down.

Any song that can match reverb guitars with a “ohh ohhs” has my seal of approval, and “Orange Crush” is as sweet and bubbly as the soda that bears the same name. Plus it contains the line, “I’m so sorry that I’m not attractive/I wrote this song in hopes of making things happen.”

“Liv” plays with punky doowop while name dropping Dr. Who, Weezer cassette tapes and Tempe Town Lake, and “Maybe Baby” is a classic pop song Buddy Holly would write if he lived by the beach.

Milo ends the EP with a somber rendition of the The Everly Brothers’ “All I Have To Do Is Dream” which sounds much more wistfully when delivered in Capati’s croon over a softly strummed surf guitar. It’s a sweet ending to a quick fun record. Check it out below.

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joe golfen 100Joe Golfen has been writing about music since 2007, appearing in the Arizona Republic, Phoenix New Times and Tone Audio Magazine. He also plays guitar and sings for desert psych band The Lonesome Wilderness, and plays the organ in power-poppers The Breakup Society.

7 Chill Electropop Singles

chill electropop 00XYLØ

“I Still Wait for You”

The L.A. duo behind XYLØ consists of Chase Duddy (producer/drummer/songwriter ) and his younger sister, Paige (vocalist/songwriter). The pair have me wondering what my brother and I might have accomplished if we spent all that time arguing over the remote control cultivating those music skills. I still don’t think we’d be able to nail the funky fresh sound of XYLØ’s brand of electropop. “I Still Wait for You” is kickback and feisty all at the same time. Expect some serious playlist placement for this single. Give it a spin below…

Kan Wakan

“Still Feather”

SAIGO, the featured vocalist on Kan Wakan’s new single, provides wavering vocals that have an almost James Blake feel in their ethereal delivery. Gueorgui Linev, the L.A.-based artist who performs as Kan Wakan, uses SAIGO’s voice like another instrumental layer rather than the focal point of this track. The end result is fluid and beautiful; more like a dream you unexpectedly find yourself in during an afternoon’s doze than that verse-hook-verse one expects from a radio hit. According to the artist, “‘Still Feather” ruminates on our industrial daydream; the precarious union of technology and prosperity.” That industrial element remains subtle on “Still Feather” but very present in the brooding atmosphere of this meditative piece. Listen for yourself below…*

ARY

“Childhood Dreams”

The Norwegian singer-songwriter known as ARY released this single shortly after Valentine’s Day. “Childhood Dreams” sets some meditative songwriting against a background with some real bounce. The lyrics drive at striking a balance between one’s ambitions and one’s personal life. But, when a person has ambitions, the matter is often personal so, Grrrrl, I really get you on this one. “Childhood Dreams” from ARY was released through Petroleum Records and is available for your listening pleasure below…

Jocelyn Alice

“Bound to You”

Jocelyn Alice is a rising talent in her native Canada and it looks like she’s ready to cross the border into the American charts. Her new single, “Bound to You”, definitely marks her as someone you might want to keep an eye on. Her nimble voice has some Big City sass while the emotive power says Small Town sincere. Make sure you check out “Bound to You” by Jocelyn Alice so you can someday say, “I heard her when…”

Biyo

“Focus”

The Nashville duo known as BIYO dropped this super chill single a little over a month ago. Combining eletropop with R&B elements, Biyo creates a sleek number that could easily make the radio rounds. The shifting soundscape that supports the single builds in energy without ever going full on rowdy so this is a great track for those at-home playlists rather than club-scene-crunk. Give the single a spin below…

White Night

“Close”

The cross-continent duo fuses together 80s synth pop elements with contemporary modes of song construction for a fresh sound. Yes, I’m talking about White Night and their new single, “Close”. Dreamy vocals float over a vibrant aural landscape that changes in color and texture as you move from start to finish. White Night is the undertaking of Willi Leinen and Elizabeth Boardman, one based in Berlin and the other in San Francisco. Thankfully, the band has found ways to overcome the challenge of physical divide to create such captivating music. Listen to “Close” by White Night below…

Phil Good

“Growing Up”

“Growing Up” marks the second single from L.A.-based artist known as Phil Good (formerly of DRESSES). Phil Good might not be his real name, but his sound has an authentically emotional core that is subtle and powerful in the same breath. And, that’s because it feels real, unlike a lot of the overly emotive drivel out there. I bet everyone who listens to “Growing Up” has either been on this side of the conversation or its implied prequel. Either way, you’ll relate. Give “Growing Up” from Phil Good a listen below…

* This segment was corrected. Originally, we stated that Kan Wakan provide the vocals for his single, but SAIGO was actually the featured vocalist on this track.

Crystal Cities: Who’s Gonna Save Us Now

crystal cities 01by Joe Golfen
Staff Writer

The debut EP from Sydney trio Crystal Cities is a dreamy affair, even if some of those dreams turn pretty dark.

The great lead single, “Who’s Gonna Save Us Now”, is one of those troubled dreams, built on dark synths and minor key guitar lines. But it also has a sense of the majestic to it, with insistent drums and breathy vocals from Geoff Rana.

Despite this dark opening salvo, the Australian group’s EP is actually a pretty sunny affair. Musically anyways.

“Cut Me Loose” takes the album in that direction, with the noodly guitar twinkle and soft falsetto of a Real Estate record. The sense of worry always permeates all that sunshine however, like when Rana sings “Words come out wrong/when I’m with you,” dropping the falsetto into his real voice for that second line, adding a great sense of menace.

“Good Life” keeps the mellow vibe going, this time adding a great fuzz guitar and the kind of chorus that lasts for days. “Talking To Myself” keeps the trend going, maybe one song too many like that in a row.

“Tell Me Know” is a welcome change of pace, a slick, driving britpop number that sounds a bit like The Kooks, and Rana going back to that breathy register. The chorus finds the return of that noodly guitar work, but in this different context, it turns out to be an interesting twist.

Closer “Binary Eyes” sounds like classic U2, though where you’d expect a world-conquering chorus, Crystal Cities takes things in a mellow, dreamy direction. Though the chiming build up in the last minute of the song would definitely make The Edge proud.

With their first EP, this Aussie three-piece has set themselves up for success, and I wouldn’t be at all surprised that they end up being huge sometime soon.

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joe golfen 100Joe Golfen has been writing about music since 2007, appearing in the Arizona Republic, Phoenix New Times and Tone Audio Magazine. He also plays guitar and sings for desert psych band The Lonesome Wilderness, and plays the organ in power-poppers The Breakup Society.

7 Eclectic POP Music Videos

Colten Hood
“Come Over”

William Bolton
“Be My Bae”

Julices Grant
“I have to leave you”

Polock
“Oh I Love You”

Marble Empire
“Twenty”

Rockster
“Runaway”

The Green Children (Embody Remix)
“Dreamers”

7 Flavors of Folk

folk 002

by Carly Schorman
Senior Editor

Old Star

“Out Here Alone”

Old Star comes out swinging on their debut single, “Out Here Alone”. Seriously, this indie-folk number will kick you in the heart, but it does so with such beauty that you’ll want to go through the ache all over again as soon as the song ends. “Out Here Alone” erects a solitary atmosphere around the listener that feels a bit windswept and desolate, but there’s a warmth there too. Check out “Out Here Alone” from Phoenix’s Old Star below. Let’s hope there are more tracks to follow…

Bad Dad

“Some Bunny Gun Love Me”

This came across my desk labeled “Oklahoma City based country vapor wave-blues music” – so I was definitely interested. “Some Bunny Gun Love Me” might leave you feeling a little forlorn but that doesn’t mean you won’t be hitting that play button again and again. On this new single from Bad Dad, bourbon smooth vocals hover over dreamy Americana tinged with just the right amount of loneliness thrown in for authenticity’s sake. Give “Some Bunny Gun Love Me” a listen below…

The Fair Wells

“Where is Your Heart”

This duo might have the polish you’d expect of a Los Angeles-based band while holding to an earnest sound that one might expect to hear at a county fair in North Carolina or maybe Virginia (their home state). The Fair Wells craft a simple, sweet-tempered sound on “Where is Your Heart” that will hit you right in the sentimental side. Spirited harmonies meet earthy folk as The Fair Wells  pose the question, “Where is Your Heart”? This single comes to us from the band’s debut EP, Hurricanes, which is available for preview or purchase here. But, first, give “Where is Your Heart” a listen below…

Jordan Merrick

“Untitled #1”

The single comes to us all the way from Australia. Yes, what we would term “Americana” is considered just a good ol’fashioned Australian Bush Ballad down under. Folk knows no boundaries, geographic or otherwise, I suppose. Jordan Merrick’s “Untitled #1” sounds straight from the American Heartland from the anguished vocals to the rustic guitar. After you give the single a spin, it won’t surprise you learn that Merrick drew inspiration from Dylan’s Blood on the Tracks. Both Merrick and Dylan share an unadorned candor in their music that I love. Check out “Untitled #1” by Jordan Merrick below…

Ryanhood

“Alright Tonight”

This Tucson folk-pop duo dropped their new LP, Yearbook, earlier this month. Ryanhood is the combined effort of Ryan Green and Cameron Hood. Together, the pair create indie folk with a bit of bounce, but don’t let the feel-good attitude in the music distract you from the seriously dexterous guitarwork on the album. “Alright Tonight” is the opening track from Yearbook and offers listeners a sampling of what’s in store as they progress through all nine songs. Give the single a spin below and, if you dig the Ryanhood brand of folk, delve into Yearbook here .

The Roads Below

“I Want Us”

This Nashville 3-Piece puts a country spin on folk-rock with “I Want Us”. Now, if I’m being totally honest here, I’m not particularly partial to Contemporary Country as a style in either music or fashion, but I find myself quite taken with all the syrupy feelings in “I Want Us”. The Roads Below managed to unearth the squishy center of my black punk heart. This is the first single from the band, but I’m hoping that more will follow. Check out “I Want Us” from The Roads Below, uh, below…

Sam Coppenger

“Between Your Heart and Mine”

Sometimes it’s good to get in touch with your inner innocence. I bet even the most cynical of you out there harbors a little lost love for Mayberry (or maybe this generation is more Stars Hollow). “Between Your Heart and Mine” will bring you back to a time when love was earnest, the streets unlittered, and life seemed a little less complicated. Coppenger comes to us from Nashville by way of Pensacola, FL and you can give his single a spin below. To hear the album from whence this track came, head here.

Is it Summer Yet? 6 Singles for Warming Weather

Garrett Hazen

“Some Brutal Love”

The L.A. vibe on this track matches up with the very L.A. story of the man behind the music. Garrett Hazen (along with his twin brother Kent) were child actors in the 90s (ever see Roseanne?) but Garrett devotes himself to the musical arts these days. There’s a beachy brightness to “Some Brutal Love” as it blurs the line between indie rock and garage pop. Hazen nails that right amount of careless-cool that feels like hanging out at the gas station and smoking cigarettes, before you’re old enough to buy them, all while drinking an inhumanly sized serving of soda pop. You know, that teenage summertime feeling. “Some Brutal Love” marks the first solo single from Garrett Hazen. Let’s hope more tracks are to follow. Give the single a spin below or head here to add the track to your personal collection.

Ryon’s World

“Grandma’s Car”

Man, this is one of those singles we can’t cover fast enough to fit with our unwritten motto: find ’em first. Between the time we added this single to the schedule before it dropped and now, “Grandma’s Car” was a Spotify pick for New Music Friday and landed the track on Spotify’s Viral 50. Although the Ryon of Ryon’s World is a D.C. native, this pop hit has an island atmosphere that will have you reaching for sunblock and a frozen fruity cocktail before you hit the first reprise. Ryon’s World is a summer anthem for those kids too broke for vacation, but no less deserving of love. Chill out in Ryon’s World with “Grandma’s Car”. Head to iTunes to get your own digi-download for those poolside playlist.

Miseryslims

“The Machine Stops”

A surf rock band from Manitoba? Maybe all that chilly weather has the Miseryslims dreaming of warming climates and that longing comes through in their music. “The Machine Stops” doesn’t really have that California surf sound, but seems like it might come from a different coastline. Miseryslims mix in some Britpop hues into their indie palette. And, frankly, I’m loving this combination. Give “The Machine Stops” a listen below and head here to check out the EP from whence it came.

Matadors

“Trumpet of Conscience”

After you listen to “Trumpet of Conscience”, it will probably surprise you to learn that the Matadors are a DIY, one-man-band who records tracks in his bedroom. The British act definitely sounds like he’s working from a studio setting with a full band at his back. On this new single, crunchy guitars drive the buoyant summertime melody that hearkens back to an earlier era of rocknroll. Matadors are definitely an act to keep an eye (or ear) on. This single was released as part of the RIP Records Introduces Series which was created to introduce little-known acts to the larger world. So far, so good, RIP Records, because without the series I might never have found Manchester’s Matadors. Listen to “Trumpet of Conscience” below…

The Starter Wives

“How Weird is Now”

The sunny energy of The Starter Wives’ new single feels like that summer breeze when you’re out skateboarding in a pair of homemade cuts offs on a listless afternoon or like drinking cold keg beer from a plastic cup in some stranger’s backyard while sweat dribbles down your back. “How Weird is Now” is luminous garage rock for those days you want to put the top down and sing-along. This Vancouver three-piece definitely sound like they’re from further south along that Western Coast; a place of perpetual sunshine, surfboards, and slender blondes. Basically, this might be your new summertime jam. Check out “How Weird is Now” by The Starter Wives below or head here for that digital download.

The Arcadian Wild

“Envy Green”

Maybe you’re not about tearing up the city in a convertible or backyard keggers. Maybe you’re summer is more about hammock naps, lemonade, and hiking along streams to the perfect picnic spot. If that’s the case, The Arcadian Wild just might be for you. The latest single from the band, “Envy Green”, paints a lush landscape with its orchestral indie folk. This Nashville trio seems like they’d feel equally at home playing barefoot on your grandmother’s front porch or for a crowd of bearded hipsters. Check out “Envy Green” by The Arcadian Wild below or head here to add the single to your personal collection.

7 Radio-Ready Pop Jams

Passerbye

“Karaoke Knife Fight”

The Houston-based quintet known as Passerbye dropped their EP – Apathy, TX – earlier this year, just in time for the Superbowl. Now that may not seem like an important connection to draw but the band was picked up to play the Superbowl Festival sooo one might expect big things to come from Passerbye. “Karoake Knife Fight” comes to us from that release and you can tell from the punchy hooks and crisp delivery that it was predestined to captivate contemporary audiences. Give the single a spin below and you’ll hear what I mean. “Karoake Knife Fight” just might be radio gold. For the complete release, head to iTunes here.

Calvillo Sisters

“Come Through”

The Calvillo Sisters throw some vintage style into the musical mix on their new single “Come Through”; the first single from their forthcoming album, Ziklag. Emma, Angelique, and Dominique Calvillo – yes, who are actually sisters – grew up in L.A. so they were in just the right place to launch their fresh revivalist sound that might best be described as “pop gumbo” for its melting pot combination of pop, R&B, gospel, and jazz into one funky fluid sound. Give “Come Through” a listen below and join us in the wait for Ziklag by the Calvillo Sisters.

Evalyn

“Filthy Rich”

Evalyn was introduced on Louis the Child’s “Fire” and now she’s ready to branch out on her own with “Filthy Rich”. Whether the songwriter assumed a persona for this song or Evalyn really is as filthy rich as the track describes, I can’t really say, but I’m a poor writer and I’m still kicking the track around. Maybe that’s because of the slick hook and brooding “California noir” style. “Filthy Rich” by Evalyn just might be the next chill club kid jam. You can hear it for yourself below or head here to add the single to your personal playlist.

William Bolton

“NO”

William Bolton give shape to this lively number with a chillax feel and his easygoing vocal style. There’s a casual air to the song’s delivery that seems to contradict the firmness of the title. But, seems to me, like this track might have been penned at the point when one really is finished – finally finished – with that relationship that’s not working out. “NO” was produced by the artist with Mischief Boy on the assist. The two worked on another track recently (“Be My Bae”) which is also available through Bolton’s Soundcloud page. Before you check out the new single, make sure you give “NO” a spin below or get your own copy from iTunes.

filous ft. Mat Kearny

“Goodbye”

This addition to our list is an cross-Pacific undertaking. The Australian-based producer known as filous joined forces with Nashville-via-Eugene singer-songwriter Mat Kearney to create “Goodbye”. What I perhaps like most about this track is the subtly shifting soundscape that supports Kearney’s stirring voice. The production is vibrant yet unobtrusive and it keeps the track compelling without upstaging the vocals. Give “Goodbye” from filous, and featuring Mat Kearny, a listen below or head to iTunes for your own copy of the single.

KNGDAVD

“Medicine” 

This high-energy track comes to us from the indie/electro side of the pop pool. KNGDAVD combines the efforts of two NYC artists: one a producer/multi-instrumentalist and the other a vocalist. “Medicine” packs a pop punch and an infectious hook so be warned that this song could get stuck on your head in repeat. The subject matter addresses the hot button issue of toxic relationships that rely on sex to avoid the dysfunction. The steamy single dropped in January so you can score your digital download of the single here or give it a spin below…

Biscaine Bay

“We Don’t Talk Anymore”

Man, why are so many pop songs about troubled relationships? Is romantic love really the driving force of our lives? Or are we just suffering for our entanglements? This chill electro pop single has a pensive air felt in both the lyrics and the underlying musicality, but there is also a sense of calm resignation that keeps things on an even keel. Retro-style synths are used to add some vibrant texturing, but their presence does not overwhelm the track, leaving it feel dated and artificial. Other fans of similar synth sounds would be wise to take note. Give “We Don’t Talk Anymore” a listen below or head here for the download.