Radio Phoenix Podcast: No Volcano

no volcano 03No Volcano joined us in the Radio Phoenix studios at the Phoenix Center for the Arts for our latest edition of The YabYum Hour! They brought an eruption of tasty tunes for the YabYum hosts, who became consumed with (no) lava. We also talked Phoenix rock history (like Kimber Lanning playing drums!), the brand new record being worked on right now, and the merit of releasing full albums. There also wasn’t quite enough time to play all their tracks so we’ve included them as a special podcast bonus!

Tune into The YabYum Hour live every first and third Wednesday of the month, only on radiophoenix.org

Complete Playlist

No Volcano “Blackout”

The Father Figures “m7 Loop”

The Lonesome Wilderness “Alright”

The Echo Bombs “Creeper”

Shovel “Dweeb”

JJCnV “Tickle Bait”

Less Pain Forever “Throw Your Babies”

No Volcano “Walk Into A Wall”

Weird Radicals “Medea”

The Breakup Society “This Little Tragedy”

French Girls “Couple’s Skate”

Scorpion vs Tarantula “(My Baby Left Me For) The American Way”

Soft Deadlines “Wanna Lose”

Serene Dominic & the GemSeekers “My Secret Life”

Whispering Wires “By the Light”

Field Tripp “John Wayne”

Source Victoria “Once I’m Dead”

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Recorded live on June 21, 2017 

7 Rad Rock Music Videos

No Volcano
“Take My Chances”

Citrus Clouds
“Shapes and Things”

Dead!
“Enough Enough Enough”

Doesn’t Rhyme With King
“Can’t Tell the Difference”

Heavy Heart
“Fruitfly”

The Head
“Tea Colored Radio”

Lulu Lewis
“All Just Pretending”

YabYum 2016 Awards Recap

2016 awardsAlrighty gang, this wraps up our 2016 Awards portion of the year. A big thanks to everyone who came out to the Awards Show at the Trunk Space last night. We will now continue to cover all the new shit. More local, national, and international music coverage is on the way. Stay tuned…

steph 000 acoustic 00 things that hologram 00 sugar skull explosion no volcano reformatting snakes 00 foster family band breaking up ohioan 00 soundtrack 00 saddles 000 red tank impossible animals 00 huckleberry 000 bear ghost featured snake river blues 000 phoenix afrobeat 000 karima 000 fairy 00 happy plaza 000 best indie pop lando chill 000 top 20 singles 2016 00 best live band top 20 music videos 000 nanami 000

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Previous YabYum Awards Recaps:

2015
2014
2013
2012
2011
2010
2009

Top 20 Music Videos 2016

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Sundressed
“Autopilot”

Directed by Cory Davis

19
Sugar Skull Explosion
“I Don’t Want To”

Directed by Plastic Monsters

18
Confetti Club
“Clutches of Emotion”

Directed by Justin Humbert

17
Dadadoh
“Do It”

Directed by Bryan Preston

16
The Brothers Comatose
“Black Light Moon”

Directed by Colin Blackshear

15
Injury Reserve
“All This Money”

Directed by Parker Corey

14
Draa
“Losing My Charm”

Directed by Freddie Paull

13
Willetta
“Rosario”

Directed by Michael J. Buckius

12
Fairy Bones
“Notes from Wonderland”

Directed by Brandon McGill and Chelsey Louise

11
Genre
“Speak Now”

Directed by Genre

10
decker.
“Holy Ghost”

Directed by Matty Steinkamp

9
Wyves
“Spoils of War”

Directed by Cory Davis

8
Mega Ran
“Mackerel Sky”

Directed by Luis “ElJayBeats” Perez

7
Playboy Manbaby
“I’d Like to Meet Your Parents”

Directed by Ryan Riggs & Jordan Pillar

6
Captain Squeegee
“Dually Noted”

Directed by Freddie Paull

5
Aesthetically Sound
“In My Feelings”

Directed by Rachael Smith

4
No Volcano
“Blackout”

Directed by Jason Willis

3
The Haymarket Squares
“Heaven”

Directed by Cory Davis

2
Lando Chill
“Save Me”

Directed by Malcolm Critcher

1
The Thin Bloods
“Talk Talk Talk”

Directed by Ryan Lee Caldwell

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Previous Best Music Video Award Winners:

2015
2014
2013

Best Argument Against the Sophomore Slump: No Volcano

sophomore slumpIt was just last year that No Volcano first came on the scene and took home our Dark Horse Award for their debut album, Who Saved the Party?. And, this year, they returned with another full length release.

It seems like No Volcano was setting us up for disappointment.

They released the traditionally maligned sophomore effort, another full-length, while still basking in the afterglow of that first extraordinary album. But, when Dead Horse Power, dropped through Onus Records in November, No Volcano gave us this year’s best argument against the sophomore slump.

Staff writer Joe Golfen described the album as a “supercharged blast of post-punk power, heavier and darker than their debut, but still shining with the kind of pop catchiness that’s won them so many fans.”

We couldn’t agree more. If you haven’t done so already, check out Dead Horse Power by No Volcano below…

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Original review of Dead Horse Power by No Volcano

Previous Best Argument Against the Sophomore Slump Award Winners:

2011: You, Me, and Apollo

For The Record: Dead Horse Power by No Volcano

dead horse power 01by Joe Golfen
Staff Writer

Following up a great first album is no easy task, with the added weight of expectation and the fear of the dreaded “sophomore slump” hanging in the air. And anyone whose heard Who Saved The Party?, the beloved debut by Phoenix’s No Volcano, has every right to be wonder how the band was going to top that.

No need to worry.

The group’s second record, Dead Horse Power, is a supercharged blast of post-punk power, heavier and darker than their debut, but still shining with the kind of pop catchiness that’s won them so many fans. With the track list laid out in alphabetical order, the record keeps the energy crackling, adding a distinct garage rock grit to the band’s usual repertoire of angular guitars and pounding drums.

I sat down with singer/guitarist Jim Andreas and drummer Chris Kennedy (who also handles the recording and production for the band), to talk about the new record, their upcoming release show and why you should always set your videos to autoplay on Facebook.

Joe Golfen: This album really sounds bigger and fuller than the first one, were you trying to go for a more rocking album?

Chris Kennedy: Well, I think I’ve gotten a little better at the initial recording part, mic placement, things like that. For production, I just kept tinkering and learning new things. And that’s the big plus of recording yourself. I have unlimited time and takes to get things right. You’re not on the clock like at a studio.

Jim Andreas: Yeah at most studios you don’t have the luxury of taking things home and saying, ‘I don’t like that anymore’. Chris tweaks things big time. Now we can spend all the money on videos (laughs)!

dead horse power 04
Photo by Bil YANOK

CK: Also, because of the fact that I’m a hack (laughs), I do something that mastering engineers would cringe at, but I get that soundwave huge, almost pegged.

And everybody says you shouldn’t do that, but here’s what happens: it makes the drums sound great. When you overcompress it just a little bit, so it starts to get a little compression distortion, I love that drum sound. And we’ve recorded at super fancy studios, middle of the road studios, all of that, and never have I been able to get a drum sound I like this much.

The drums do sound great, and they sound huge. That certainly adds to the heavier sound.

JA: I think it’s heavier musically, for sure, but the songs themselves are heavier too and maybe a little darker. Just the overall mood is a little heavier.

Was that something you set out to do?

JA: No not really, but it hasn’t really been that long since the first one, so they were all written in a very short span of time. So that must have been where our heads were this time around.

CK: It was the groove of the time.

JA: We actually have 9 songs for another record already to go (laughs). We are doing 4 of them at the show.

Your release show at Crescent should be a great time. Are you doing the whole new record at the show?

JA: I think we are going to do a five from this album, four new ones and two from the first record. We really want to mix it up and keep the energy high. We love playing fun shows, that’s our top priority, so we want to make sure people have a good time.

CK: Yeah, we’ve tried to go the other route, and we’ve had bands that were pretty and quiet. And that’s very satisfying musically and all that, but you just lose people’s attention sometimes playing live. You can’t really ignore No Volcano.

dead horse power 02
Photo by Bil YANOK

What about the name, Dead Horse Power?

JA: Oh well I think it kind of fits the mood of the record, it’s a little heavy sounding. Plus it’s just a cool play on words.

I was actually shocked no one used it before. I wrote it down and then googled it thinking someone must have used it. Because with our last record, and I didn’t realize this until it was already out, but there is a band called “Who Saved the Party?”

CK: There’s also a game called Oh No Volcano, and band called “Volcano” so that confusing.

JA: But I really thought someone must have used that phrase “Dead Horse Power” somewhere, but nothing came up. But it just really fits that mood. A Little heavy, a little dark. Our bassist Jake (Sevier) said we should change the band name to that (laughs).

And you didn’t mean to put the songs in alphabetical order?

CK: Ha well no it was accidental. Because unless you put a number for each song, the computer just puts them in order.

JA: So when he sent us mixes, that’s how they were coming over. And given the task of coming up with an order, which is always tough, this just worked and was super easy.

CK: And you don’t have to put numbers on the record.

JA: And you don’t have to argue about it (laughs).

The video for “Blackout” turned out really amazing.

JA: yeah that turned out so well, I’m so happy with that. That’s a guy from Tucson named Jason Willis and he just did such an awesome job.

CK: That guy is super talented, we sent him such crappy iPhone video. He didn’t come film us, we just sent him some terrible footage from practice on our phones, and a week-and-a-half later, that amazing thing was done.

JA: Even my face, I just shot that singing into the phone and it looked so stupid, but that video is amazing. We were worried, it was like, do you still like the band after what we just sent you?

CK: And really, that song to me was kind of a sleeper, I almost thought we might cut that one from the record, but it really started to click after a while.

JA: And that video really makes the song I think, kind of gives it a new life.

CK: Plus, it seems like people are way more willing to watch a video on Facebook. A lot fewer people will click through to Bandcamp or whatever.

JA: You just got to make sure the video autoplays when people are scrolling through Facebook. It really sucks them in (laughs.)

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Details: No Volcano Dead Horse Power Album Release, with Father Figures and Less Pain Forever and DJ Todd Joseph.
When: 7:30 p.m. Saturday, November 26
Where: Crescent Ballroom, 308 N 2nd Ave, Phoenix
Tickets: $8 advance / $10 at the door
For more info check out the Facebook event page.

dead horse power 05

2015 Awards Recap

2015 awards 00Well there you have it folks, our 2015 Awards are done! Now that this month has flown by and we find ourselves eleven twelfths closer to the end of the year, it’s time to begin our regularly scheduled programming. We’re going for gold this year with new content and features so get ready for some new shit. Meanwhile, if you missed any, here is the 2015 Awards Recap!

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The Dark Horse Award: No Volcano

no volcano 01No Volcano? Never heard of them. At least, I never heard them before this year and now I can’t seem to stop listening. The Phoenix four-piece released their full-length debut, Who Saved the Party?, through Onus Records last January. I briefly encountered their music through the music video for “Tribute”, the first single for the album which came out at the end of 2014 in prelude to the release show. I was immediately interested in hearing more, but nothing prepared me for the rocknroll gem that is No Volcano. From start to finish, Who Saved the Party? presents a unified sound that diverges from other music we heard in 2015. Even now, a year later, I relish each listening. No Volcano takes this year’s Dark Horse Award because they arrived on the scene seemingly out of no where (although the members have performed in other acts over the years) and unveiled one of the best albums of 2015.