by Carly Schorman – Paper Foxes have been sharing their synth-fueled sounds with fans for years and they just unveiled their debut LP: Popular Confessions. The new album contains a few revisited classics from the band’s repertoire sprinkled amongst some brand new tracks. But Paper Foxes went into the studio to
by Jacob Unterreiner
Every songwriter thinks of themselves as uncommonly honest. After all, vulnerability and openness tend to be points of pride for people who make music. But as with all things, there is some level of artifice to the musical community and it can be challenging to determine whether someone’s honesty is genuine or performative…
After many understandable rejections of the concept by those wishing to keep their lives private, I found the “yes” in Chelsey Louise, guitarist and lead vocals of Arizona band on the up-and-up, Fairy Bones. Nestled in an east-central Phoenix neighborhood with a nondescript dirt front yard lived the lair of pop-punk late twenty-somethings I was slightly intimidated by. While the delivery of Chelsey Louise was warm, the house was so busy — with my usual OCD Martha Stewart behavior — I didn’t know where to start with photos which captured every personality…
by Mark Anderson
Persistence is the key.
Just ask about that with Tucson singer-songwriter Adam Townsend whose new album, All My Fires, is essentially a decade in the making. Produced by Grammy-nominated Andrija Tokic (Alabama Shakes, Langhorne Slim, Benjamin Booker), with both indie-rock and soul overtones, All My Fires caught my ear immediately and is one my favorite Tuscon albums of 2019.
by Jacob Unterreiner
At its height, music is a monument to emotion.
You can use words to express powerful emotions, but a sentence or two can never capture the scope of a feeling. Language alone, to some degree, is always minimizing the intensity of an emotion. Music, however, can capture how big a feeling feels–it’s a large part of the reason we make it. We say to ourselves, “My feelings are so big, that they deserve more than words, they deserve a song.”
Architects’ new album, Holy Hell, is a monument to a pain too large to simply be talked about. It is a a monument to a pain that needs to be screamed into microphones and battered into drums.
I spoke with bass player, Ali Dean, about the new album and how the band has moved forward after the death of founding member Tom Searle…