Songs from The Listening Room: Young Mothers

young mothers 700Young Mothers joined us at The Listening Room Phoenix and delivered the goods with “Home On A Hill”. Check out this performance and more as part of our “Songs from The Listening Room” series every month sure to follow both Young Mothers and The Listening Room Phoenix to keep up with their latest performances. Plus, check out our interview with vocalist/guitarist Zachary Toporek below for more info about “Home On A Hill”…

So, please tell us a little about the song you chose to perform. When did you write it? Anything prompt its creation?

We played a song called “Home On A Hill” that I wrote in 2011 and originally recorded in Tucson in 2012 for a record that will never be released. Great record, great players, most of it tracked at Wave Labs, I just hate all of my vocals and I’m not going to go back and re-do a whole record of vocals from 2012 because it would feel like cheating. Anyway, “Home On A Hill” was long gone out of my life right up until this version of Young Mothers was about to play our first set together and we needed to add a little time to the set. We needed something easy to learn, and this is probably the most simple song I’ve ever written. Turns out the guys cottoned to it immediately, and we ended up playing it for the Listening Room session because Jess Pruitt, our bassist, loves this song like whoa, and it’s just an easy, feel-good mock-country jammer.

Do you have a method in your songwriting? If not a formalized process, a habitual approach?

Songs either fall out of the sky and into my brain (which is dope and I love it) or they take a lot more effort– usually, I start by doing some stream of consciousness journaling. That’s kind of new for me, but I’ve found it’s a really great way to get the brain juices flowing and avoid judging my thoughts and ideas too harshly, which is the thing that slows me down the most. Then I put the journal away for a few hours, take it back out, reread what I wrote earlier, and go for a long walk. That’s when the kernel of the song tends to show up. The phases and themes from my journal will be swimming around my head, and one phrase will kind of stick out and I’ll very passively come up with a melody that suits it. A lot of them are trash, but once I find one that lights me up there’s no ignoring it. I usually rush home at that point, figure out the music to accompany that, then hunker down for the deliberate and hard work of actively engaging the modest skills and knowledge about songwriting that I’ve accrued in my lifetime to take the song from exciting fragment to completed song.

Do you try to keep to a regular songwriting schedule? Or is it a bit more haphazard? Maybe sitting down when inspiration hits or squeezing in time as you find it?

I freaking wish I’d keep a schedule. I like myself as a songwriter, generally, but I don’t do it nearly enough, and it’s a very slow process for me.

Who are some of the songwriters that inspire you &/or your own work?

Lately I’ve been really inspired by the new Michael Rault record, Chaka Khan’s album What Cha’ Gonna Do For Me, and the early solo records of Donald Fagen and Walter Becker of Steely Dan.

Any new projects in the works that we should keep watch for?

I’m on the long and hard slog towards the next full length, and will probably continue to drop a few singles along the way. Look for it in 2021.

~

Leave a Reply

Your email address will not be published. Required fields are marked *